Analysis - The work of award-winning Zimbabwe-born sculptor Shepherd Ndudzo is instantly recognisable. Fluid, elongated black bodies and body parts flow from white rock in a typical work. The bodies are dancing or praying, holding hands or reaching out.
is instantly recognisable. Fluid, elongated black bodies and body parts flow from white rock in a typical work. The bodies are dancing or praying, holding hands or reaching out.
It's a tale that spans three neighbouring southern African nations, all known for their sculpture - Zimbabwe, Botswana and South Africa. It exposes a history of shared traditions and schools of teaching, of colonial-era gatekeeping and art world wars. It's this history that informs the research for my
Shepherd mostly learned from assisting and observing his father at work. Like Kekana and all his students, Barnabas mostly carved realistic statues and busts.). Although he was celebrated for his efforts at promoting Zimbabwe's abstract stone sculpture tradition, ensuring that the world accepted it as modern art, his presence was bad for artists who worked with media like wood and were making realistic works, as well as for those stationed at.
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