WomensHistoryMonth: The female editors setting the rhythm, pace of film
Film editing is a job that might not be noticed by the unassuming viewer, if done well. But make no mistake: the editor creates the rhythm and pace of the film.
Women were able to make their mark in editing way back in the silent era in film, as male directors often saw the role of patching films as tedious and menial., for instance, worked on over 44 films and received an Oscar nomination for her work on “Mutiny on the Bounty.” Booth started working in 1915 for D.W. Griffith as a negative cutter. When Griffith closed his L.A. office, Booth remained in Los Angeles. She wound up working for Louis B.
“It’s all about tension, so you follow the emotional arc of a character through a scene, even if, as in the opening of ‘Inglourious Basterds,’ they’re just pouring a glass of milk or stuffing their pipe,” Menke once said. “We’re very proud of that scene — it might be the best thing we’ve ever done.” She said editing was “all emotional, impulsive, instinctual. Just follow the character’s emotions.”is also considered a film editing legend.
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