'Trauma, Trauma, Trauma!': Filmmaker Beth B Finally Gets Her Flowers

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'Trauma, Trauma, Trauma!': Filmmaker Beth B Finally Gets Her Flowers
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Over the weekend, at Metrograph, the influential director Beth B sat for a cathartic conversation about the female gaze, art’s power to challenge social norms, and the “Now Wave.”

B.: Well, if I tried to tell you my life story, we would be here for days.B.: Good. So the Metrograph is doing a retrospective of my films from—well, the 45 years that I’ve been making films. I just can’t stop. It’s like my addiction. It’s a really phenomenal way of charting my journey through life. My films are, in some ways, very autobiographical.

B.:B.: With film, it’s like you’re constructing a panoramic building in a way. So all small details are really important, from the lighting to the setting to the costumes to the actors or the performers. And I am a stickler for how it will look visually, because I feel that the visual sensibility and aesthetic is an echo of the content, and often the emotional content.

I mean, that came out… well, it was a long time ago. In the eighties, when suddenly these fucking televangelists were taking over America, and nobody seemed to know it except the evangelists.B.: Oh my god. I was like, “I’m going to do some investigating.” I went to Jerry Falwell’s church, the Super Conference, and I found myself so frightened that when he said, “Get down on your knees,” I got down on my knees. I was afraid someone was going to shoot me! Because I’m the enemy.

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