A roundup of the sources behind the coveted wardrobes in shows like “Euphoria,” “And Just Like That,” “Halston,” “The Marvelous Mrs. Maisel” and others.
whose taken on this philosophy, working with vintage stores like the East Village Vintage Collective and Zingara Vintage for her recent projects.
“It was this really fun interactive math problem,” Jones said on how she filled the closet with more than 200 pieces from her collection, including clothes, shoes, jewelry and handbags. “I spent weeks and my living room was filled with rolling racks that I would rearrange. It was almost like I was rearranging flowers in a sense, like back and forth what dress looked better next to each other.”
Several of Arcade’s pieces made it into the reboot on Parker, including a raw silk rainbow caftan dress that was worn as a duster, a vintage Judith Leiber bag and a screen-printed New York City-themed T-shirt. Owner Maegan Hayward said while many costume designers that come into her store are secretive about their projects, some work more closely with her to pull specific pieces or look into a certain decade.
Because her business working with TV shows and films has grown considerably over recent years, Hayward has plans to expand her in-store collection to include more of her archival pieces.After starting his vintage business in 1984, Ian Drummond has become one of the go-to sources for costume designers to curate their wardrobes, particularly for period pieces or projects that take place between the 1970s to 1990s.
“Sometimes, some things are so unique that it probably deserves to be sold as opposed to waiting 10 years for the right person to come along and rent it,” he said. “Renting key pieces to designers that ultimately end up on actors, if it’s the right actor wearing it then I never need to rent it again because [the piece] has all the prominence it’s ever going to need if I decide to sell it later.”
“I look much more for the aesthetic and if a style transcends time and the quality of the materials used,” she explained. “If it happens to have a Chanel label, bingo I’ll take it. But an ugly Chanel is an ugly Chanel, so I’m not as brand centric as a lot of other businesses.”
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