The Portfolio: Bale Legoabe - The Mail & Guardian

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The Portfolio: Bale Legoabe - The Mail & Guardian
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'Working on Occupying the Fatuous State of Severity, for me, goes back to how art creates dialogue, especially among several artworks in communication with each other.'

I attended the National School of the Arts from 2010 – 2013. My main discipline was drama. During the course of my grade 9 year, I saw this drawing at a students’ exhibition that I thought was really cool. I started drawing from that moment on and my love for art started overtaking my love for drama. I showed my mom a folder with all my artwork in it and she wouldn’t let me switch from drama to art. She felt that we’d already invested so much into drama.

There are similarities between art and drama. They are both forms of emotional expression. I just like that you can communicate through a picture in illustration. It forces a different dialogue because people read different things into the illustration. People come from different backgrounds and they bring themselves into that image.

It’s meditative when youre sitting down laying out an image. It feels like a puzzle. Over the years, my approach to composition has changed a little bit. I love how you can visually please or distrub someone just through composition. There is usually no set formula to how an image forms for me. If it is a digital collage, it could be an image of a buck on the page or a line, or an emotion. Sometimes it is playing with a composition and seeing how those things go together or it could be a vaccilation between emotion and a well-composed image.

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