“We need this movie. Lives will be changed. Hearts will be full. We’d finally have world peace.”
A League of Their OwnIt’s rare, and perhaps even a little nonsensical, to be angry about not getting to see a movie that never even existed. But I’m harboring an intense, unhealthy rage about
—particularly about what it reflects upon the state of the industry and what Hollywood execs think is worthwhile entertainment., Meyers, whose library of work includes; in other words, she’s made a slate of films that accounts for roughly 70 percent of the total running time of movies that Kevin Fallon rewatches over and over again.
Some might say that $150 million is a ludicrous amount of money to request for a romantic comedy. Those people are rude and have terrible opinions. I can’t think of a better use of money than backing up a dump truck full of cash to Meyers’ home and saying to her, “Go wild!” Imagine the stunning kitchen sets we would get. The thought alone of the jaw-dropping open-concept living space is giving me chills.
The truth is that, as an adult in New York City, I have never lived in a space that is more than 700 square feet, and even those tiny, barely livable apartments are hardly affordable. So if you told me that Meyers needed $150 million to, like, have a dining room in the apartment where the characters live, I’d believe you. I have no concept anymore of what normal things should cost. New York has broken me.
But beyond that, studios and streamers have been escalating film budgets like they’re using Monopoly money. Netflix spent $200 million
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