Lana Wachowski appears to be unconcerned about losing the franchise’s rightwing fans.
In the new movie’s opening scenes, Keanu Reeves’ Neo, still going by his pre-redpill name of Thomas Anderson, is seen drudging away at his desk working on the latest in his video game series, called. The visibly depressed Thomas is a legendary game designer, known mainly for his long-ago first entry in the franchise.
After some welcome comedy contrasting our hero’s world-saving past to his schlumpy present , his world gets shaken up by the arrival of his former mentor Morpheus, played now not by a black-clad Laurence Fishburne but by a garishly costumed Yahya Abdul-Mateen II. The change in casting is explained by a bit of tossed-off exposition that will become important in the movie’s plot.
South Africa Latest News, South Africa Headlines
Similar News:You can also read news stories similar to this one that we have collected from other news sources.
'The Matrix Resurrections' Will Floor You, Here's Why You Should Be Excited To See ItAlexa, play 'White Rabbit' by Jefferson Airplane...
Read more »
Review: ‘Matrix Resurrections’ Mocks Legacy Sequels, Preaches Love Not WarLana Wachowski's legacy sequel is less an epic action-adventure and more a romantic comedy.
Read more »
How Priyanka Chopra Jonas Slipped into Retro-Future Glamour for ‘The Matrix Resurrections’ PremierePriyanka Chopra Jonas’s premiere dress dress evoked a sense of outer-shell protection, with floor-length sequins for a pixelated shimmer.
Read more »
‘The Matrix Resurrections’: Film ReviewNeo is back in Lana Wachowski’s very self-referential fourth ‘Matrix’ film.
Read more »
Here’s When You Can Stream ‘The Matrix: Resurrections’ On HBO MaxHBO Max will have 'The Matrix: Resurrections' available to stream for 31 days beginning this Wednesday
Read more »
'The Matrix Resurrections' Is a Nostalgia-Fueled Love Story 22 Years in the Making‘The Matrix Resurrections’ wears its nostalgia on its sleeve — but the meta-references, winks, and nods are layered with deeper meaning. K. Austin Collins reviews the long-awaited sequel
Read more »