Adèle Exarchopoulos ('Blue Is the Warmest Color') toplines this genre-bending second feature from writer-director Léa Mysius ('Ava'), which premiered in the Directors' Fortnight.
, which played in Critics’ Week in 2017, is overambitious as well, telling a genre-bending story best described as a multiracial, bisexual, small-town love triangle meets the mind of M. Night Shyamalan.
Like Ducournau, Mysius goes all out here, but her film overshoots its target by a few miles, even if the mise-en-scène is inspired and lead Adèle Exarchopoulos excellent as always. The Directors’ Fortnight was the right way to go for a movie that, had it been in the main competition, would have risked a rocky reception while finding a few admirers.
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