‘The Eternal Daughter’ Review: Tilda Swinton and Joanna Hogg Reunite for Haunting Look at the Past | TIFF 2022

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‘The Eternal Daughter’ Review: Tilda Swinton and Joanna Hogg Reunite for Haunting Look at the Past | TIFF 2022
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With 'The Eternal Daughter,' Joanna Hogg and Tilda Swinton reunite for this haunting look at the past and mother-daughter relationships. Our TIFF22 review:

With her last two films, The Souvenir and its sequel The Souvenir: Part II, Joanna Hogg explored Julie , an aspiring filmmaker first experiencing the pain of doomed love, then attempting to make a film about that love that left its mark on her. Within that story, Hogg cast Tilda Swinton—Honor Swinton Byrne’s actual mother—to play Julie’s mother, a character who isn’t the focal point, but also leaves a lasting impression, a key figure in Julie’s life as he figures herself out.

COLLIDER VIDEO OF THE DAY Swinton—in what is starting to become a habit for her—plays dual roles, taking on the part of both Julie and Julie’s mother Rosalind. The pair goes to a secluded hotel together, a hotel which Rosalind often visited in her younger days, while Julie tries to learn more details about her mother’s life in order to make a film about her.

In a way, The Eternal Daughter almost feels like an additional chapter to The Souvenir’s meta narrative, putting the mother and daughter story at the middle of the story, while Hogg once again investigates the choices she could’ve made differently—except this time with her mother and not with a failed love.

And even though this might sound like a dour, almost self-indulgent story, Hogg and Swinton manage to make this deliberately paced tale extremely funny and engaging. Julie and Rosalind mostly spend their days on vacation lounging, walking their dog, doing some minor work, and eating the half-dozen or so items at the hotel restaurant, but their dynamic and relationship together make this all feel like valuable time between the pair.

Like with The Souvenir: Part II, Hogg zooms out in the end of The Eternal Daughter as a way to explain what is truly going on here, recontextualizing this vacation, and again, it feels like Hogg opening up to the audience exposing the truth of her reasonings in making this film, and baring her soul to the audience.

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