Taylor Swift Didn’t Just Re-Record an Album—She Reclaimed Her Humanity

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Taylor Swift Didn’t Just Re-Record an Album—She Reclaimed Her Humanity
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Red (Taylor's Version)'s madness, inconsolability and insistent sensitivity is overwhelming and demanding, and thus, traditionally unattractive. This is precisely the point: In Red TV, Swift doesn’t exist to allure, but to feel.

In “All Too Well ” however, Swift paints a damning portrait of an older man who enchanted a smitten, loyal ingénue only to abruptly break things off when she, and their relationship, became more real than theSwift’s dad watches her wait hopelessly for Gyllenhaal to visit on her birthday and tells her, “It’s supposed to be fun, turning 21.

Swift was a consenting adult, and the relationship was clearly extremely meaningful to her. What makes Gyllenhaal’s behavior damnable is not that he coerced or abused her, but that he fetishized her youthful beauty and inexperience, while disparaging her 20-year old personality—he “laughed at my dreams, rolled your eyes at my jokes”—to an extent that precluded recognizing Swift’s humanity, much less fostering the kind of genuine connection Swift asserts they had.

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