“This is the fantasy idea of thefabelmans,” StevenSpielberg says. “The entire family together, including people who would separate us.” Go inside his Directors Issue cover story with words by Lynn Hirschberg here:
Filmmaking has been the key to Spielberg’s entire worldview. He thinks cinematically. “I’ve always believed that the camera is a window into the world,” he told me as we stood next to his longtime cinematographer, Janusz Kaminski, in the desert. “The camera is the way I can work out my problems.
Kaminski laughed. He handed Spielberg a cigar, which Spielberg likes to hold as a worry stick to calm his nerves . The two have been working together since, the 1993 film for which both won Academy Awards. They have a deep, familial bond. Spielberg has always watched up to five movies a week and many television shows, and he first noticed Kaminski’s work on a TV movie directed by Diane Keaton.
Spielberg then added Dano to the scene. Williams sat on the piano, taking off her gold shoes while Dano played. Even though they divorced, Spielberg’s parents remained close until the end of their lives. Throughout Spielberg’s youth, his father was hesitant about his son’s burgeoning movie career, but Spielberg’s mother supported him from the moment he created his first films, when he was a teenager.
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