In SpiderManFarFromHome, Peter Parker, Mysterio and a high school trip abroad give viewers a sense of life after Thanos SpiderManMovie MCU
#13 in 1964 pretending to be a superhero, no less—isgoing to be a villain in the film, well, I’m not sure what to tell you. Second, if you’re looking for evidence that Marvel at the movies will be just fine without Thanos, the MCU’s take on Mysterio in particular is worth noting and worth celebrating.
The dark days and sadder efforts of superhero movie-making have a few things in common. Foremost among them? A maddening tentativeness when if comes to letting a character born, nurtured and beloved on the comic book page actually survive the transition to the Big Screen with character and costume intact. That might not seem like such a big deal. After all, the basic physics of clothes and the human body make some things easier to draw than to actually drape on a human form.
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