Sorry Hollywood, the U.S. Was Not Uniquely Evil on Slavery

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Sorry Hollywood, the U.S. Was Not Uniquely Evil on Slavery
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“Some Americans will point to the rest of the world and quite rightly ask, ‘Well, what about them?’ while Britain and the former colonial powers of Europe will point to America and say, ‘Well, at least we weren’t that bad,’ though a lot of them were.”

“We had touched upon slavery in our first two seasons and had begun to ask ourselves whether it was possible to build an empire or engage in colonial rule and not have slavery become a part of that in some way. It was so often the economic engine of these systems.”

This, Anand says, has largely been a function of her and Dalrymple's own areas of interest. “If you’re in America or from America, your focus is obviously going to be on America,” she says. “We’re not, so it hasn’t been.” “The point is that the history of slavery is something that almost every country, to one degree or another, has to reckon with. It’s the elephant in everyone’s room.”

“In Britain, where I live, there are so many people from backgrounds who, when they pick up a textbook and read a really rosy account of the British in India or the Caribbean or something like that, aren’t simply going to accept that account,” she says. “They’re going to have some very valid questions about it and they’re not going take, ‘no’—this idea that it’s time to move on and not talk about it—for an answer.

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