“You have to understand, we’re not here to be happy,” a so-called spiritual adviser counsels one of his wards in a Catholic seminary — a rare moment of truth in the shadowy morass…
“You have to understand, we’re not here to be happy,” a so-called spiritual adviser counsels one of his wards in a Catholic seminary — a rare moment of truth in the shadowy morass of governmental and theological manipulation that consumes Ivan Ostrochovský’s impressively icy Iron Curtain.
With short, elliptical scenes and terse dialogue, Ostrochovský teases out the connection between the grimy criminal activity of the prologue and the seminary’s more ascetically sinister atmosphere, though it’s immediately clear that not all is pure in this house of God.
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