Rian Johnson and the Daniels on the Film Rules They Love to Follow—And Break

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Rian Johnson and the Daniels on the Film Rules They Love to Follow—And Break
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In VF’s series ‘What Is Cinema?,’ the directors of ‘Glass Onion’ and ‘Everything, Everywhere, All at Once’ talk craft.

’s series What Is Cinema?, the directors sat down for a candid conversation about craft and how they created their films“Structure is where the thesis of the film emerges,” Kwan says. He uses Alfred Hitchcock’sas the perfect example of a film that follows classic rules of cinematic storytelling.

It took a while to arrive at the final cut of the film, with Scheinert noting that they spent a year “diagnosing problems galore” in the editing room. “That was one of the most humbling things we learned about feature filmmaking,” he said.The film follows detective Benoit Blanc as he solves a murder-mystery dinner party gone terribly wrong at the home of an eccentric billionaire.

Kwan agreed, noting the pressure that filmmakers face when working on a new project. “A lot of the time when you’re starting off, you want to create timeless art, but that’s actually a terrible trap,” he said. “The more you chase it, the less timeless it becomes. Really, what you want to do is speak to the moment and give the people something to chew on and reflect on.”

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