'Poor women will be drowned by the score. That is why this track is a fundraiser for abortion access.'
The track — which also features work from saxophonist Skerik, Josh Evans, and Stanton Moore — starts as a soft rock song with some stark lyrics about the patriarchy. But for the last minute or so, the track turns into a drum and electric guitar-backed rock jam session.
In a press release, Gossard explained that the song had been sitting around for six years as a demo, before Skerik “had the epiphany” to ask DiFranco to join the track.
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