The night is no longer billed as exclusively for Black\u002Didentifying theatre fans.
that a Feb. 17 performance of the play Is God Is would be a “Black Out night” limited exclusively to an “all-Black identifying audience.”Sign up to receive daily headline news from Ottawa Citizen, a division of Postmedia Network Inc.By clicking on the sign up button you consent to receive the above newsletter from Postmedia Network Inc. You may unsubscribe any time by clicking on the unsubscribe link at the bottom of our emails or any newsletter. Postmedia Network Inc.
“No one will be turned away at the door; there will be no checkpoints for Black Out Night ticket holders and no questions will be asked about anyone’s identity, race or gender,” the centre wrote in aOver the weekend, the National Arts Centre’s website was quietly changed to open up admissions to other Canadian ethnicities.
The Feb. 17 performance is now being advertised as an event that “will welcome Black audiences” without specifying that non-Black patrons should make other plans.Article contentwas also altered to remove the word “exclusively.” It’s now just a “performance for Black-identifying audiences.” The idea of Black Out nights comes from Broadway, where a 2019 performance of Slave Play was opened only to audience members of African heritage. According to Slave Play creator Jeremy O. Harris,U.S. law is rather explicit in making it illegal to limit a service only to members of a specific race. The inaugural Black Out night differed from its National Arts Centre equivalent in that it never actually said that non-Black people couldn’t come.
Instead, the performance was made an invite-only event with tickets offered to Black patrons and organizations. “We did not prevent or preclude anyone from attending the BLACK OUT performances … nobody was turned away,”
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