standards, he makes Alice look like a sweetheart.
Serkis is compelling, using his chameleonic skills to convincingly make Robey the type of person you could imagine yourself trusting, while also creeping you out. The star has said he needed a wash after reading the script and you'll feel the same with Robey's work resulting in gruesome, chilling tableaux.
As good as Serkis is though, there is a feeling of déjà vu with his villain. We won't go into spoilers, but there are echoes ofepisode 'Shut Up and Dance', while Robey's reasoning isn't really developed beyond, 'Because I'm evil, innit'.is unrelentingly bleak and it could prove too grim for some Luther fans with scenes of mass suicide and-esque kill rooms.
Take, for instance, the scene where Luther goes to a hideout where he's kept the essentials. There's cash, naturally, but also a trench coat that he then puts on much like a superhero putting on their suit. Luther then stands on the rooftop of a nearby building to surveil London, probably a knowing echo to a similar shot in
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