After 16 years at Saturday Night Live, kenanthompson may just be about ready to start a new chapter
This slew of new projects has led some to speculate that thestar may finally be plotting his exit from a show that’s been his home for longer than some of his fans have been alive. But when we meet, he’s mum on that particular subject, which is consistent with his reputation for being an ensemble man rather than a spotlight-hungry star. To think of these next moves as steps on his career ladder would be to miss the point: Thompson himself doesn’t think in terms of this job or that.
It also meant that he had to develop a different style. Where other comics, particularly politically-minded black comics, have favored abrasive social commentary, Thompson has favored joy. He’s like the larger-than-life uncle at a cookout who barely gets through his meal because he keeps stopping to make you laugh—the kind of guy whose storytelling always, as if by necessity, involves acting out everything he’s narrating. “I’m just out there trying to be joyous, basically,” he says.
Yet he got a callback, and was then asked to do a set at the Laugh Factory against pros like J. B. Smoove and Finesse Mitchell. Then he got the job. were completely free of baggage. In the beginning, Thompson’s child-star reputation followed him everywhere. “I would go out with him in those early days, in 2006, 2007,” says’ or whatever.” Over the years, as his star on the sketch series has risen, that’s changed. “Now when I hang out with him,” Tucker says, “every now and then you’ll hear that.
For Thompson, this was as much a push for diversity as it was a matter of practical need. “There was no reason for us to continue doing the Shakespeare version of things,” he says. “Those things start to become pertinent when we needed somebody to play Michelle Obama. We needed a real Omarosa. We really needed people to cover the people that were in the news.”
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