Harris’s play shocks – but never for shock’s sake
Danya Taymor’s production is overwhelming in the best way. No two lighting or sound cues are ever the same, leaving the audience deliciously on edge, unable to guess where things will head. A Greek chorus gospel choir harmonises with iPhone ringtones. At one point, Bang whips out a glittery microphone and belts out a rendition of George Michael’s “Father Figure”.
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