It's just the Oscars — but my God, it matters that 'Parasite' won best picture

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It's just the Oscars — but my God, it matters that 'Parasite' won best picture
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The 'Parasite' best picture win is stunning. And shatters the Oscars' 92-year-old glass ceiling

In a range of fall releases, including “Joker,” “Parasite,” “Hustlers” and “Knives Out,” major movies take on issues of class and income inequality

One of the many ironies underpinning the victory of “Parasite” is that Bong, more than most of his contemporaries, is a student and ardent lover of American cinema, someone who grew up watching Hollywood movies on American Forces Korean Network, the TV channel for U.S. soldiers stationed in Korea. You see that love in his work.His 2003 masterpiece, “Memories of Murder,” is an epistemological serial-killer thriller that anticipates David Fincher’s “Zodiac” .

It’s instructive, I think, that after two stabs at going Hollywood, it was Bong’s return to Korean filmmaking — to an intimately scaled, modestly budgeted production with an entirely Korean cast and crew — that resulted in a mid-career masterpiece, a movie that spoke more directly and powerfully to audiences than anything he had made in years. He made a movie, in short, that met the academy more than halfway — and the academy, to its credit, responded in kind.

And not one that I expect will be repeated anytime soon. No one who has followed the Oscars with any regularity over the years can be naive enough to think that progress is a straight line; a major step forward one year will almost certainly be answered by two steps backward the next. Post-“Parasite,” I wouldn’t steel myself for a sudden succession of best picture winners hailing from China, Mexico, Germany or Senegal.

There will be retrenchments and detours. There will be reminders that the academy, in retaining its long-standing members while broadening its international reach, is an unwieldy organization often at cross-purposes with itself, where one hand scarcely knows what the other is doing. Maybe that’s another reason to celebrate “Parasite” and the anxious, unsettled moment to which it speaks so indelibly: This may be the greatest movie ever made about, and for, a house divided.

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