I’ve spent years unlearning my American narcissism. The least Emily could do is try.
our responsibility to reexamine the belief that America is the default by which all other cultures are measured, especially Emily’s white, hypercapitalistic, puritanical version of America. But Emily never does, because the closest her character comes to self-examination is taking selfies.is centered mostly on its heroine’s job—and how very American it is for work to be the No.
One of the more pronounced ways Emily’s ugly Americanness shows itself is in her insistence on speaking English, and only English—so much so that she doesn’t even learn the French words for “Do you speak English?” Instead she goes around shouting in English at strangers as if they’re the idiots for not understanding her.
Along with her linguistic chauvinism, Emily brings over her puritanical ideas around sex, assuming she’s morally superior to her boss and all the other married French people who are having affairs, despite the fact that she’s never been married herself or been in an open relationship. One of the things I found hardest to come to terms with about my Americanism was my internalized slut-shaming, coming from a culture colonized by the most backassward religious freaks in Europe.
Normally I’m harder on American films and TV than my French husband is. He’s a French actor turned writer who not only studied American-style filmmaking but finds it far superior to the French approach, so it’s rare for him to hate American shows . Buttruly pissed him off—not just because its version of France is grossly inaccurate, but because it’s used as a straw man to prop up ideas about American superiority.
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