Leto commits fully to his role as a prosthetics-laden Chef Boy-Ar-Dee.
, a comparison that has been suggested by co-screenwriter Roberto Bentivegna? No, maybe it’s a campy mid-20-century melodrama—Douglas Sirk by way of Luchino Visconti—with an operatic lead performance by the 21century’s reigning multimedia diva, Lady Gaga. Wait—or is it a dirt-dishing business drama about sneaky chicanery behind the scenes of the high-end luxury industry?is all these things and more, plus, very possibly, a floor wax, a dessert topping, and a portal to another dimension.
-style campfest. She and the woman next to her seemed to be having so much fun. But to speak my boring truth, though I did my share of chortling in the screening room, especially at Jared Leto’s prosthetics-laden turn as needy wannabe designer Paolo Gucci , House of Gucci ’s two-hour-and-forty-minute running time, for me, did not fly by on swift wings. This overstuffed and ungainly film might have made more sense in a six- or eight-hour miniseries format.
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