How Sound Pros From ‘All Quiet on the Western Front,’ ‘Avatar: The Way of Water,’ and ‘Top Gun Maverick’ Sent Audiences to Battlefields, Beneath the Ocean and Into the Sky

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How Sound Pros From ‘All Quiet on the Western Front,’ ‘Avatar: The Way of Water,’ and ‘Top Gun Maverick’ Sent Audiences to Battlefields, Beneath the Ocean and Into the Sky
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The Oscar nominees from 'The Batman' and 'Elvis' also describe transporting audiences to other worlds with inventive audio techniques.

involved creating underwater species such as the whale-like tulkun, whose vocalizations were carefully crafted with a variety of sounds — among them, those made by whales, coyotes, owls and dolphins. Supervising sound editor Gwendolyn Yates Whittle says that in cases where the Na’vi interact with the tulkun, “Our job was to protect the emotional validity of the human performances and then have those creatures also be able to interact with those performances in a real way.

Howarth says that capturing production sound involved modifying microphones to enable them to be used underwater, even at a 30-foot depth. And with water a character unto itself, “every bubble and every lap has been carefully curated and put into that film.” Adds Yates, “We had to make the water feel believable, like real water, even though it’s zeros and ones. So, there’s reverb. The deeper into the water you go, the lower the pitch. You can feel the depth, depending on where you are in the story.”, filming outside Prague during COVID posed plenty of challenges. “There wasn’t even the slightest chance for us to go on set and grab extra sounds as we normally do,” says supervising sound editor Frank Kruse.

But in approaching the mix, Kruse says the goal was not to “re-create a scientifically correct soundscape,” but rather to focus on the emotional perspective of the film’s protagonist, the young German soldier Paul.was dedicated to Presley’s vocals. For the singing, the team blended the performances by star Austin Butler with those of Presley. This involved a combination of playback and live recording, while restored vintage microphones from each era in the film captured Butler’s voice.

For Gotham’s soundscape, says Files, the team wanted to show “a densely populated place that hasn’t been very well taken care of.” They leaned into elements of cities like New York and Chicago, incorporating the sound of elevated trains and taking inspiration from

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