Is The Rehearsal’s six-year-old actor a victim, or just Nathan Fielder’s latest co-conspirator?
, some techniques essentially teach actors to re-experience their personal traumas in the name of emotional authenticity. In the 1928 silent movie, Renée Maria Falconetti gave what is commonly agreed to be one of the greatest performances in the history of film, and was apparently so wrecked by the experience that she never acted again.
Before Nathan takes on his final role as Amber, she reassures him that Remy will be fine, and when Nathan asks how she can be so convinced, she responds, “I didn’t convince myself. I’m just gonna make sure he’s OK.” By this point, Remy seems thoroughly healed, waving goodbye to “my TV friends” as Nathan walks out the door. But Nathan can’t rest easy.
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