Harrison Ford in ‘The Call of the Wild’: Film Review

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Harrison Ford in ‘The Call of the Wild’: Film Review
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Film review: CallOfTheWild starring Harrison Ford and a dog named Buck

Dogs, in their rambunctious domesticated way, can lead us overly civilized humans a step or two closer to the natural world. So it’s only fitting that the best dog movies have saluted that unruly canine spirit without a lot of artificial flavoring.

Because that’s the film’s way of coddling the audience, treating us as if we needed a collective pat on the head. Buck doesn’t spend a lot time at the house before being stolen by an evil canine kidnapper, who trains him with a club and sells him into service as a sled dog. It’s the 1890s, and Buck lands in the bustling town of Skagway, Alaska, gateway to the Yukon and the dreams of a thousand prospectors.

The filmmakers employ a blend of live action and digital enhancement, and I guess you could say it’s an achievement that we can’t totally tell where the one leaves off and the other begins.

And yet…much as I wish the filmmakers had put more trust in the organic heartbeat of their material, “The Call of the Wild” gets better as it goes along. In Skagway, Buck forms a momentary connection with John Thornton , a furry figure who’s been cut loose from his family by tragedy. Buck finds Thornton’s harmonica in the snow and brings it to him , but we can already tell that this is going to be the beginning of a beautiful friendship. And the wayplays it, it really is.

In John Thornton, Buck, at last, has found a master who’s worthy of him. That’s why he keeps running away with bottles of whiskey — he can sense how the booze dampens Thornton’s spirit. The two move into an abandoned prospector’s cabin and even hit pay dirt, but the film gets very Zen about this. It’s all about Thornton rediscovering how to live in the moment — which, of course, is what dogs, at least in human society, are the masters of.

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