From an old-style Afghan camera, a new view of life under the Taliban emerges

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From an old-style Afghan camera, a new view of life under the Taliban emerges
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Two years after U.S. troops left, AP photographer Rodrigo Abd returned to Afghanistan with an idea: to use an old-style Afghan “box camera' to document how life has changed under Taliban rule

For all intents and purposes, women have been being erased from public life.

Even so, education is a priority for many Afghans. In dozens of interviews across the country, nearly everyone — including some members of the Taliban — said they wanted girls and women to be educated. Most said they believed the education ban was temporary, and that older girls would eventually be allowed back into schools. They say keeping girls and women confined at home doesn’t help the country, or its economy.

But around it, the remnants of war are everywhere. The derelict remains of American combat outposts have faded warnings of mines and grenades spraypainted on their wind-blown blast walls. Tangles of abandoned razor wire litter the ground. Bombed-out houses lie in ruins. And there’s the ubiquitous presence of armed young men adjusting from a life of fighting to one of living in peace.

He joined the Taliban as a teenager, believing it was his moral duty to fight foreign troops. He lost as many as 20 friends to the war, and more were wounded. He’s stung by the memory of his dead brothers-in-arms when he sees their fatherless children, but he’s comforted by an unshakeable belief that their sacrifice was worth it.

When the Taliban seized power again in 2021, international donors withdrew funding, froze Afghan assets abroad, isolated its financial sector and imposed sanctions. Even with the entire family working, there’s often not enough money for food and they live hand to mouth on credit from shopkeepers. Of his three sons and three daughters, all except the youngest one are brickmakers.

His home, tucked in a warren of steep alleys, is now nearly devoid of furniture, which he sold in the bazaar to feed his extended family. Sold, too, is his beloved TV. “We made good movies before,” he says. “May God have mercy that music and cinema will be allowed again, and the people will rebuild the country hand in hand, and the government will come closer to the people and embrace each other as friends and brothers.”The shimmering lights of wedding halls cut through the gloom as night encroaches on Kabul, pinpricks of glitz in the darkness.

Manager Mohammad Wesal Quaoni, 30, cuts a dapper figure in a sharp suit as he sweeps through the glamorous, cavernous halls, juggling four weddings in one night. The former Kabul University lecturer in economics and politics is trying to ensure the business thrives amid the country’s economic woes. It’s not easy.

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