‘Ford v Ferrari’: Production Team’s Shorthand Wins The Race For James Mangold Movie

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‘Ford v Ferrari’: Production Team’s Shorthand Wins The Race For James Mangold Movie
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If there’s a division and an autonomy between your below-the-line departments on a film, that’s not necessarily a good thing. And what has made James Mangold excel as he has traversed c…

If there’s a division and an autonomy between your below-the-line departments on a film, that’s not necessarily a good thing. And what has made James Mangold excel as he has traversed cinematic genres is essentially keeping the same gang together on most of his productions.reps the director’s seventh time with editor Michael McCusker, the sixth time with sound editor Donald Sylvester and the fifth time he’s worked with DP Phedon Papamichael.

“It’s the shorthand,” says Mangold about working with his below-the-line-team which reps the secret sauce for his character-driven movies. “Phedon will come up to me and say: Did you see that expressions on his face? He’s always looking for the same things that Mike is talking about,” says the filmmaker, “We’re all in agreement as to why we’re there.”

McCusker, who together with Andrew Buckland, is up for an ACE Eddie award for the pic says it’s “a character movie with cars in it, that’s where we are all on the same page.”“The most incredible thing you can watch is somebody’s face and their emotions,” says the editor, “and that’s an age old thing that will go on forever.”has been the best film at the 2019 domestic box office for the former major studio, clearing over $107.8M. Worldwide the movie has grossed close to $202M.

Mangold reflecting on this achievement, “My agent literally said to me on the day this was greenlit, ‘Enjoy this. It’s the last one of these you’re ever going to make.’ It was a joke, but it wasn’t. For all of us, it’s an event when you’re doing something that is already a pre-sold piece of material or has a built-in audience. There was a time when we went to the movies and we didn’t know what we were going to see. Now, it’s the inverse.

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