Originally planned to shoot in early 2020, before COVID-19 lockdowns made that an impossibility, producer-turned-director Thomas Torrey’s “All the Names We Buried” is pitching in the Proof of Conce…
Originally planned to shoot in early 2020, before COVID-19 lockdowns made that an impossibility, producer-turned-director Thomas Torrey’s “All the Names We Buried” is pitching in the Proof of Concept section of the Frontieres Platform at the Cannes Marché du Film, looking to reignite the project’s pre-COVID buzz and recuperate lost financing.
Like so many filmmakers raring to go last spring, Torrey was gutted when shooting on “All the Names We Buried” became impossible under COVID restrictions at the time. But now, “I’m at peace with everything that’s happened to our production,” says Torrey, who is optimistic that this fall he can shoot the film “how it was always meant to be.
“Thankfully, all cast and crew has remained attached over the last 18 months, so it’s really just a matter of finding the right financial partner to re-greenlight the project,” says Torrey. “Getting accepted into the Frontieres Proof of Concept platform at the Cannes Market was a big win for us toward that goal, so we’re looking toward the fall with optimism.”
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