European Labels Body IMPALA Fears UMG-Deezer Streaming Model Will Create ‘Two-Tier’ System

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European Labels Body IMPALA Fears UMG-Deezer Streaming Model Will Create ‘Two-Tier’ System
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The trade group has “concerns” that the model will disadvantage independent artists and labels.

L-R: IMPALA board members Alexander Hirschenhauser, Helen Smith, Dario Draštata, Francesca Trainini and Geert De Blaere.European independent labels trade group IMPALA says it has concerns that the new “artist-centric” streaming model beinglater this year could create a “two-tier” music market that unfairly disadvantages indie artists and labels.

In an announcement on Friday , Brussels-based IMPALA says that Deezer’s plans to introduce a new methodology for paying out streaming royalties for UMG artists from October 1 — at first only in France, Deezer’s biggest market — risks impacting independent and micro labels, which provide 80% of all new releases in Europe.

The European trade body, which represents nearly 6,000 independent companies and labels, including Beggars Group, Cooking Vinyl, Epitaph and PIAS Music Group, says “the fact that the Deezer proposal has been developed in a vacuum” with UMG, the world’s biggest music company, “instead of the sector generally is also a concern.”

In response to its members’ worries, IMPALA says it is seeking “more clarity” from Deezer about its new streaming royalties model, which replaces the existing pro-rata setup — whereby one stream equals one play, with the total number of plays proportionally divided up by artists and labels — with a new system that prioritizes active listening, meaning users who intentionally search for or click on an artist’s song.

Under the new “artist-centric” model, “professional artists,” which Deezer and UMG categorize as artists who have accumulated at least 1,000 monthly streams from at least 500 unique users, will receive a higher share of streaming royalties, while Deezer will remove “non-artist noise” — essentially, white noise and nature sounds, which the company says accounts for 2% of streams — from the available royalty pool.

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