Dallas DJ-producer Hunter Vaughan is nostalgic for the old days of dance music in Dallas, but he's committed to make new, original recordings.
Hunter Vaughan is merging the sounds of long-gone clubs and modern beats for his original album.Devout dance music fans love to reminisce about the good ol’ days. On nightclub patios all around the world, ravers share cigarettes and war stories from “back in the heyday.” Dallas DJ-producer Hunter Vaughan isn’t alone in his nostalgia for the Club Afterlife parties from 2010.
"I don't think I'll ever forget some of the parties there [at Afterlife], and that was when I first started DJing for crowds," he says."You saw it all there. I regularly watched residents David Ringel, Stormie, Michael Todd, and Nodafunk play as I was really into [subgenres] breakbeats and fidget house then, and they were pushing that sound consistently. And on big event nights you could see Jeremy Word and Redeye and other Dallas natives playing sets.
“The biggest change for me has been the various genres of music I've picked up over the years," he says."I started out playing electro and fidget house back when it was a thing in the late 2000s, but genres fade out, evolve and are modernized in ways that reshape electronic music to what's relevant today. I will always be a house head, but techno, breaks and drum and bass are special too.
Along with a few failed relationships — truly, music’s best friend — there's a lot of Vaughan’s youth present in the album, with little nods to Nine Inch Nails, Deftones, Korn, Tool and hip-hop too. Before digging into the new stuff, listeners might enjoy backtracking Vaughan’s older originals such as “Dribble Drape,” “Wakeup” and “Oblivion Calls.
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