Back in 2020, writer-director Gabriela Ortega found herself meditating on the ways in which people have reframed their “relationship to grief and to loss” amid the Covid-19 pandemic, ch…
Back in 2020, writer-director Gabriela Ortega found herself meditating on the ways in which people have reframed their “relationship to grief and to loss” amid the Covid-19 pandemic, channeling this exploration into the script for the short film,While Ortega shelved a project for a while, feeling that it was “too ambitious” and perhaps impossible to finance, she wound up bringing it to life by way of Lena Waithe’s Rising Voices program for emerging BIPOC filmmakers—even convincing Shakira...
“And now, we’re here,” Ortega said in conversation with Barrera at Deadline’s virtual Sundance Studio, “and she’s someone I hope to keep collaborating with for years to come.” The short premiering at the 2022 festival centers on Daniela Garcia , a disenchanted flamenco dancer resigned to a desk job who is forced to experience the five stages of grief through a visit from her female ancestors, after the death of her grandmother unleases a generational curse.
Barrera says that when she read the script for the film and recognized its level of ambition, she was at first overwhelmed, thinking, “How the hell are we going to get this done?” Still, she’s always loved working with newer directors like Ortega, given the “hunger” and “passion” they bring to their work, and felt a strong connection to the material. “I love playing strong female characters [and] I had a direct connection to the script,” the actress said.
As the short bows at Sundance 2022, she and Ortega are already preparing to reteam for another project, with the filmmaker also looking to adapt
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