From ‘Pee-wee’s Playhouse’ to ‘Rushmore,’ ‘Rugrats,’ ‘Tiger King,’ and ‘The Willoughbys,’ a look at the other life of the New Wave …
At first, I just thought it was another show. And then one day they said, “We are doing a feature film. Do you want to score the feature?” And I go, “Of course. How come people want to see a feature ofcharacters are the most recognized characters in the whole world, more than Disney characters and any of the stuff over atThe theme song is kind of Pavlovian.
I liked that, though. Everything was important to him in a movie, like the sets and the costumes. He’s involved with all of it. I think he wishes he could play an instrument because he’d pick stuff up and try to play along with it. I’d sometimes record him and use some of his performances in the score.
But they are very creative guys and were fun to work with. I’m working with them again on a film now. They are executive producers at something over at Sony I’m going to finish up next month if we can figure out how to record it since we’re not able to go to Abbey Road. I really loved working on the movie. It was a visual overload. Everything was made out of these little bricks and it made me think about the music differently. And when I scored the film, I scored it with an orchestra and also I scored it totally electronic. They ended up mixing a hybrid together.
There were also scenes where Anthony Hopkins had some crazy acting where he just went off the page before he gets destroyed early in the film in that back alley. There was this whole big scene that he had where it’s really, really cool and shocking. I’d love it if they’d ever do a director’s version of that film. I know they never will. If they did and you got to see all this other footage, I think people would find it fascinating because you get more insight into Taika’s brain.
We made a library of music for that it because in documentaries, music is wallpaper. Basically, you’re putting in different moods and different tones, but you’re not scoring the picture so much as you’re creating an atmosphere to surround what everyone is paying attention to, which is the narrator and the characters and the action. You’re not, like, enhancing laser blasts. That would make it too contrived and scary.Cloudy With a Chance of Meatballs.
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