S MAG | Tlale collaborated with Zimbabwean-born and SA-based contemporary painter Mandla Mavengere, who curated artwork to complement the fashion. EmmanuelTjiya
In true David Tlale fashion, he’s running a tad late.
When I quip that “his show is late as usual”, Tlale retorts by pointing around that “they are late, not me”. He’s referring to the decor staff frantically setting up. “The grey lines have become a part of our future and our uncertainty thereof. This has inspired us to re-write our ancestors' woeful history and become their wildest dreams.”In hindsight, the tangerine tone of the invitation card was the biggest clue to the vibe of the show. When models strut their way down the ramp, they open with honey layers that then advance to fiery orange hues. Creamy whites serve as palate cleansers halfway through the show, before the show climax into shades of blue.
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