‘Cost of Living’ Review: Martyna Majok’s Pulitzer-Winning Drama Makes Sensational Broadway Debut

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‘Cost of Living’ Review: Martyna Majok’s Pulitzer-Winning Drama Makes Sensational Broadway Debut
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The sensational and delicately inhabited performances by the cast make “Cost of Living” one of the most poignant and arresting new dramas on Broadway in recent memory.

,” now on Broadway after a successful off Broadway run, that it poses these sorts of colossal questions in scenes so bracingly intimate that you might be tempted to look away were they not so utterly magnetic.

John , an affluent Princeton PhD candidate, needs people in a more practical sense, to help with the daily business of life — shaving, showering, getting dressed — that he can’t do himself due to cerebral palsy. He’s hiring a new home aide, a position that Jess has the conviction if not the experience to take on. She went to Princeton herself, though her degree has not delivered on the promise of upward mobility; the first of her family born in America, she tends multiple bars to barely survive.

The alternating two-person scenes that ensue demonstrate the awkward grace and humility of offering and receiving care, that needing and accepting help doesn’t equate with weakness, and that sublimating oneself to the needs of someone else can be a kind of holiness.

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