'Bombshell' to 'Hustlers': How Craft Pros Rebuilt Real Worlds From Scratch

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'Bombshell' to 'Hustlers': How Craft Pros Rebuilt Real Worlds From Scratch
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How the behind-the-scenes pros captured the settings, fashions and tones of 1917Movie, Bombshell, Hustlers, JojoRabbit and JudyTheFilm

Toward the end of his journey through hellish World War I battlefields in , Lance Corporal William Schofield stands in stark relief against the chalky white frontline trenches, the grit of war washed clean by a harrowing plunge into river rapids.

All the background actors received the same keen attention to accurate and telling detail, especially in the wardrobe. "There's a kind of unsaid narrative running through the costumes throughout the film," says David Crossman, who designed the costumes with Jacqueline Durran. "You change a lot of the details, but the formula sort of remains the same," adds Atwood. It was trickier to zero in on Kelly's "high suburbia" off-camera style. "We chose lighter colors like softer blues just to back away from the black, white, gray and stronger colors of the Fox News world."

“Once we got into the strip club, we were going to get into magentas and blues and not use those colors anywhere else in the film so that we led up to that moment,” says Musky. “It was very clean and static visually but classy, so that she could really have that great moment where she is the primo dancer, the best of all of them, and we didn’t want to overdo it with too much going on.” Musky brought in a special German-made spinning stripper pole to free Lopez up for ambitious, athletic moves.

He found inspiration in a 2007 image of a silver-clad Lopez. “Seeing her in silver took me back into a time where she was as sexy as today, ruling magazine covers, the charts. Something about this image captured my attention. … In the club, that shift between the pinks and blues, the way the silver hit both of those — it just felt perfectly right.

Hitler, of course, came with a definitive historical look, but Satherley had enough creative latitude to modify signatures like the mustache to both suit Waititi's face and reflect the dictator's not-exactly-real status. "Because he was Jojo's imaginary version, he was kind of a roughly hewn version," she says. "He was never meant to be super polished, the hair was a little bit slightly off — it was like he was sort of trying to keep himself together, really.

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