Ya: Billie Eilish, “No Time To Die” - “No Time To Die” isn’t Billie Eilish’s best, and she can’t be blamed—working within the confines of the James Bond series (which usually means forced lyrics about, like, sexy spy stuff... and orchestral refrains), she and her collaborator/brother Finneas managed to craft a beautiful song, but one that feels a bit out of character for them both. (The addition of legends like the Smiths guitarist Johnny Marr and arrangements by Hans Zimmer may be responsible.) Still, the song is a romantic, blockbuster-sized dirge—and that is all a Bond theme song could ever hope to be. —Maria Sherman
” to me back in 2018, but “Don’t Kiss Me in Public” is easily their best recording to date. It’s a bit atonal, driven by industrial synths and a screechy repetition of the lyrical line, “Get inside of me / get inside of me.” You know, it’s simply the perfect soundtrack to a very steamy Valentine’s Day. I can’t wait to hear a full-length release.Imagine my surprise when I saw an unexpected song from Hilary Duff in my Spotify new releases playlist.
he Door” felt like waiting for a sneeze that never came. It was like rearing back, scrunching up your nose, taking that gulping inhale... and after all that, the sneeze just doesn’t materialize. The animation in the music video is definitely impressive, but the song left me feeling pretty bored. I kept hoping that a new element would come into the mix, lead into some sort of musical departure that would add a little more depth, but nope.
Camila Cabello drives me nuts, but her singles are admittedly bangers and “My Oh My” is no exception. It’s the perfectly flirtatious earworm that I’m going to hear in every single Uber I’m in for the next eight months, and I won’t hate a single moment of it. But I need to talk about the music video, which features Cabello as a Hollywood starlet who is sick of playing damsels and wants to be the hero, with DaBaby as her director. This video is full of anachronisms which is absolutely.
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