Babylon review: the magic and misery of the movies | Digital Trends

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Babylon review: the magic and misery of the movies | Digital Trends
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Damien Chazelle's Babylon is a bold look back at Hollywood's origins.

Babylon Score Details “Damien Chazelle's Babylon is a sprawling portrait of late 1920s Hollywood that just so happens to be one of the boldest and best movies you'll see this year.” Pros Cons Much like the pissed-off elephant that rampages through its opening party sequence, Damien Chazelle’s Babylon is a wild beast of a movie.

Chazelle explores that conflict through all of the film’s characters, including Jack Conrad , a silent film star who is the unofficial King of Hollywood when Babylon begins in the late 1920s. A womanizing drunk whose belief in the power of cinema alternately comes across as arrogant and childlike, Jack is invested in nothing more than pushing the boundaries of the silent film form.

Hollywood’s inevitable transition out of its silent era quickly turns everyone’s world upside down. Nellie’s belief that she’d finally escaped the kind of judgment that had defined her early life, for instance, is shattered once her voice and east coast demeanor become points of debate among Hollywood’s elites.

After operating in a steadily light mood for much of Babylon’s first half, Pitt begins to shine once Jack’s identity crisis kicks in. Very few films have ever used Pitt’s clear blue eyes as well as Babylon, which gives the actor a chance to turn in some of his most observational, quietly heartbreaking work to date.

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