Station Eleven showrunner talks adaptation and pandemic TV at ATXFestival.
PS: In terms of the world building, it had to feel not just like a new world, but like a dusty and dirty, busted new world, a janky world. There's something about that tone-wise, I think, that helps. The audience accepts the fantasy space. The firstmovies did this, too. Everything was broken. Everything was dirty. I think when that franchise gets away from hyperdrives that don't work, it starts not feeling the same anymore. Just “made” instead of “happening.
And it's just a way to get deeper into her, but also with the Ponzi scheme and the end of Lehman Brothers and Bear Stearns in that time, to look at the time that was the seeds of destruction for the world. I mean the flu was coming. No one was going to survive it, but like Tyler says in,"We built it wrong.
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